Leaving for IDFA

With the Sat night world premiere screening of The Kids Grow Up looming, and the whole production team heading off for the airport in a few hours, we’re buzzing around doing all the usual things we’ve left for the very last minute.  Updating the 3-minute trailer was the most important, since the previous version ended with temp music that wasn’t exactly the right tone (a bit too melodramatic).   Not to mention, not exactly licensed.   Now it’s entirely scored by our hugely talented composer, H.  Scott Salinas, and has the right bittersweet feel.

Anyway, posters and postcards – check.  International replacement cell phone – check.  An email announcement to attending IDFA buyers and press – check.   An itinerary to make sense of all the screenings and meetings and parties – check.  Ambien for the red-eye flight over – check!!!

We had a private screening on Monday for a small group of distributors, industry folk and friends at Soho House and the audience reaction was all I could have possibly hoped for.  It’s clear this is a film that works better on a big screen with an audience, so I’m a bit calmer heading into IDFA than I would have been.   But we’ll see.

I have my Flip video camera with me, and I’ll try to post a couple of Flip Clips during the festival if I can find the time and wherewithal.  And I’ll definitely post about how things are going.  And now, fingers crossed…

World Premiere of THE KIDS…

THE KIDS GROW UP will have its’ world premiere next month at IDFA (International Documentary Film Festival Amsterdam), the largest and most prestigious of all documentary festivals. It’s playing in the Reflecting Images: Masters section, along with new or recent docs by, well, there’s no other term, masters such as D.A. Pennebaker & Chris Hegedus, Frederick Wiseman, Michael Moore, Joe Berlinger, Susan Froemke, Julien Temple and Michael Winterbottom. So it’s quite an honor and my hat size has swelled accordingly.
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Done at last!

Hard to believe but tomorrow is the final layback of mixed soundtrack to color corrected picture and then… The Kids Grow Up is done. It’s a bittersweet moment.

I’ve been living with this film, in one form or another, for over 20 years. Or, to be more precise, from the moment my daughter Lucy was born. Not that I knew right away she would someday be the subject of a film. But because as I continued to tape with her over the years, and really only a little at a time, I began to suspect there was the makings of a film there.
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